India, Aug. 30 -- An artist's visual language is never truly finished; it fractures and matures through a lifetime of wrestling with memory and raw material. This quiet evolution anchors Becoming, the opening exhibition at Akar Prakar. Guided by Siddhi Shailendra, the collection steps back, allowing the sheer historical weight of six distinct practices to command the room naturally. The artworks spark intense conversations around fading landscapes and complicated personal histories. Debasish Mukherjee maps the emotional geography of displacement in his sweeping textile work, The Land We Carry, weaving fragmented memories directly into heavy fabric. Leang Seckon's dense, striking collage, Who Owns the Land, physically stitches together arc...