New Delhi, July 11 -- Raja (Murali), from Kathir's debut film, Idhayam (1991), may have become iconic over the years, partly due to the grating niceness and tragic innocence of the character (and mostly due to Ilaiyaraaja's music). But in a contemporary world in which we reevaluate gender, misogyny and the obsessive nature of love, the idea of unrequited romance makes the conversation feel like the colloquial phrase we use to describe it-one-sided. Rathna Kumar's superior Meyaadha Maan (2017), refracts the idea through a class lens, where the disparity in economic positions chokes the character out of expressing his true love. This year's Hollywood phenomenon Obsession reimagines extremities of a nice-guy-dream realized to the point of st...