New Delhi, Nov. 1 -- Philip Roth would like his font back.

good romance Nobody Wants This first showed up on Netflix last year, it felt refreshing, even bracing, to see a love story on television where a woman fell for a guy who wasn't toxic. This was no criminal or a conman but a man of the cloth, a rabbi-a milquetoast variant of the "hot priest" from Fleabag. The gentile heroine was therefore introduced to the ways of the Jews, romanticised at every step, but, most critically, the show created by Erin Foster was written smartly and sharply with enough quips and wit to justify the Caslon-style font used in tribute by the show's titles, a font famously used on the book jackets of the iconically Jewish maestro Philip Roth.

The second sea...