Hyderabad, Sept. 14 -- A 12th century temple-Gollala Gudi-in Telangana's Mulugu district, which had been lying in a state of neglect all these years, has been recognised as a "monument of national importance" by the Archaeological Survey of India (ASI), people familiar with the matter said. ASI issued a gazette notification on August 31, declaring Gollala Gudi at Palampet village, under Section 4, sub-section (3) of the Ancient Monuments and Archaeological Sites and Remains Act, 1958 (Act 24 of 1958). The Gollala Gudi temple is situated in the southwest of the Kakatiya Rudreshwara (Ramappa) Temple, the UNESCO World Heritage Site. According to the notification, the temple is regarded as a significant example of the architectural and sculptural traditions associated with the Kakatiya period, dating back to 12-13th centuries, "The notification paves way for the conservation and statutory protection of the hitherto abandoned temple under India's heritage conservation laws. Now, the ASI will take the responsibility of maintaining the temple, providing all the facilities including lighting, cleaning up the premises and providing security," heritage conservationist Arvind Arya Pakide told HT. The Gollala Gudi has the appearance of a "Trikutalaya" temple, consisting of an east-facing mandapa surrounded by three sanctums, connected to a central pillared hall. The temple's architectural detailing is particularly notable for its rich ornamented walls and intricate stone workmanship. The edges of the roof structure are decorated with elaborate designs, while the doorframes feature finely carved rows of hamsas (swans). The temple is also distinguished by its delicate perforated stone-screen work, showcasing the craftsmanship of the period. Pakide said Gollala Gudi is the 10th historical structure in Telangana that has got the national monument status. In front of the main temple are two separate subsidiary shrines, both adorned with beautifully carved sculptures of Dwarapalakas (door guardians). The edges of the spaces preceding these subsidiary shrines are embellished with intricately carved stone screens. The principal structure has a mandapa at the front through which visitors can enter the central shrine....