Dhaka, Sept. 19 -- To discern the unique signature of artist Tajuddin Ahmed, who has resided in Toronto since 2008, it is essential to examine his current artistic practice within the framework of the abstract movement in the country, which originated in the early 1960s. What sets him apart from the first generation of abstractionists is his innovative use of layers. Beneath the tactile quality of his creations lies a meticulous process of layering paint to delineate forms and shapes-his aesthetic objects. As he persistently adds further layers of drawings onto the canvas until he believes he has fulfilled his artistic vision, his works often appear to have a tenuous connection to urban reality. The deliberate arrangement of colours and s...